SAMPLE PAGE
Showing posts with label UK Pop. Show all posts
Showing posts with label UK Pop. Show all posts
Thursday, 7 February 2013
Jessie Ware - Live In Sydney
This is going to be a short review because there are only so many ways you can say - she looked glamorous, sounded brilliant and made amazing use of back-lighting. It's strange how seeing an artist live can completely change your opinion of them and their music. I've always liked Jessie Ware and included Devotion on my best albums of 2012 list but I thought of her as a niche diva. The kinda sophisticated lady you play when you're trying to impress someone or slightly buzzed at 3am. In my mind, she was the second-coming of Sade. Which is a great compliment but an indication that her music might not be best fit for an intimate venue - located above a gay bar, no less.
But Jessie proved me wrong. Her one hour set was positively dripping in sass. She took the odd moment to indulge her jazzy, low-key diva leanings but most of the show was funk-heavy and had the crowd shuffling as much as you can in a room squeezed full of hipsters. From the very first song, a soulful and earthy rendition of "Devotion", it was instantly apparent that the Brit's voice is an instrument of rare quality. She sounded immaculate and gave the material a warmth missing from her album. "Still Love Me" sounded like a different track altogether and "No To Love" was a goosebump-inducing showstopper.
As much I loved those moments, the highlights - for me - were the upbeat songs. "Sweet Talk" is such a slinky anthem. It reminds me of something a Prince protegee might have recorded in the '80s. Equally amazing was "Running" - surely one of the most underrated anthems of 2012. That was a television advertisement away from being massive. And let's not forget my favourite Jessie song, "Wildest Moments". It was worth a trip to the Beresford just to hear that triumphant tune. The rising star promised to return to Australia soon with a bigger show. I'll be there, front and centre.
Labels:
Jessie Ware,
Live Reviews,
UK Pop
Sunday, 9 December 2012
Leona Lewis In Good Song Shocker
I don't have a lot of time for Leona Lewis. She is a gifted vocalist but her complete and utter lack of charisma makes her a terrible pop star. Apart from curing insomnia and making bookish girls feel better about themselves, the X Factor winner has struggled to carve out her own niche. There was a time when I thought she might turn it around - "Collide" is an amazing dance record - but Glassheart turned out to be more of the same rubbish - albeit with a couple of exceptions. As I mentioned in my review, the title track is a triumph and "Lovebird" is the closest Leona will ever get to recapturing her "Bleeding Love" glory.
Penned by Bonnie McKee and Dr. Luke, "Lovebird" is one of the prettiest mid-tempo ballads you will hear in 2012. This is an example of playing to Leona's strengths (ie. her voice) without aging her 20 years with tired production. I love the soaring chorus and stupid, metaphor-stretching lyrics. It will be interesting to see how this does on the charts. A couple of years ago, "Lovebird" would have been massive but Leona is pretty much obsolete now - so who knows? The video (below) is an even cheaper version of Kylie's "I Believe In You", so I don't know - or care - if that will help or hinder her.
Get ready to power grab for your life!
Labels:
Leona Lewis,
UK Pop
Subscribe to:
Posts (Atom)
Popular Posts
-
Beyoncé's favourite backing vocalist had an epiphany a while back. Her voice wasn't getting much attention, so she shifted the focus...
-
There was a veritable drought when it came to good pop albums in 2012. Every time I thought something was going to be amazing, I ended up la...
-
I've featured a few dubious divas on this blog over the past couple of months - think Liza Monet and Noelia - but Lupe Fuentes is prob...
-
Warrior is the best pop album of 2012 - nothing else comes close. Buy Lady Dolla's triumphant sophomore set or face the wrath of her hu...
-
I love T-Ara and I love their comeback single "Number 9", but as time goes on, I keep having this frustration with whoever the lin...


